Notes to my

Former Self

A new album by Maria Finkelmeier

“One-woman dynamo” — The Boston Globe

“basically an entire art scene herself” — NPR / All Things Considered

Notes to my Former Self is Maria Finkelmeier’s debut solo album for marimba, percussion, electronics, and voice: a recording that expands the marimba into a full-body, cinematic instrument.

Recorded and mixed in Spatial Audio by John Escobar, the album moves between virtuosic percussion writing, intimate vocal fragments, and lyrical improvisations, creating a 10-track arc about memory, transformation, and the distance between who we were and who we are becoming.

Born from Finkelmeier’s touring solo performance work, the album stands alone as an immersive listening experience while also connecting to a larger visual performance world.

At a time when contemporary classical music is increasingly shaped by performer-composers and deeply personal forms of storytelling, Notes to my Former Self offers a distinctly embodied approach to solo percussion. The album reframes the marimba not only as a virtuosic instrument, but as a vessel for memory and transformation. It reflects Finkelmeier’s broader practice as an artist working between concert music, public art, technology, and live performance.

The Team

Track List:

  1. Vignette 1

  2. Hourglass

  3. Vignette 2

  4. Superhero Butterfly

  5. Vignette 3

  6. Cascades of Embers

  7. Vignette 4

  8. MUD

  9. Vignette 5

  10. alla finé

Assets to be written, designed, and available:

  • Full album design and booklet

  • notes regarding each work

  • Scores for each Vignette for sale

  • Comprehensive social media campaign

Additional team members:

Assisted by Kara Snethlage, Jane Long, and Denver Nuckolls 

Special Thanks: Broadband Collaborative, Supreetha Krishnan, Allison Rodman, John Weston, Max Gaertner, Berklee College of Music, Siwon Kim, Katie Jillson, Lillian and Azalea DeTour.  

The Live Show

Former Self is a 65 minute concert experience featuring original music and generative visuals based on a series of notes from Maria to her former selves. Stories ranging from cautionary tales to moments of resilience create a personal, yet approachable thread of connectivity. Featuring the sounds of marimba, electronic samples, bells, voice, and spoken work, each work expresses a rich and dynamic texture. The project utilizes video animations created by tracking Maria’s movements on stage, where each percussive gesture becomes a web of linear visual energy. The webs are nested in bespoke settings created by visual artist Supreetha Krishnan. Supreetha’s work explores how extended reality interactions can enhance audience participation and community building. The work can be paired with workshops and guest lectures.

Upcoming

August 22, 2026

Arts Intersection MKE
Milwaukee, WI

Previous

Workshop

Percussive Arts Society International Convention Indianapolis, IN

November 15, 2024

Museum of Science, Boston
Boston, MA

May 2, 2025
April 7-8, 2026

Pearl Arts
Fort Wayne, IN

Kutztown University Wells-Rapp Center for Mallet Percussion Research

Kutztown, PA

November 8, 2026
December 5, 2024

MassArt Art Museum
Boston, MA

April 17, 2025

American University of Sharjah
Dubai, UAE